Maxime Van De Woestyne - without title - Sold
This item has been sold Show item
Stefanie Schneider - "Jersey Views" Edition 150 - signed-numbered
Starting bid
€450
Bid 
Hutschenreuther - Monthly plates with birds
Starting bid
€50
Bid 
Current bid
€49
1 bid
Bid 
Liana Nakashidze - Spring breeze XXL
Starting bid
€1,300
Bid 
- Description
- Maxime Van De Woestyne (1911-2000)
| Type of artwork | Prints (signed) |
| Year | 1911 |
| Technique | Lithograph |
| Support | Paper |
| Framed | Framed |
| Dimensions | 540 x 440 cm (h x w) |
| Incl. frame | 880 x 685 cm (h x w) |
| Signed | Hand signed |
Translated with Google Translate. Original text show .
Color lithography.
Signed in pencil 'Maxime Van De Woestijne' and numbered on 50 copies.
On paper with dry stamp 'Original screen Belgium'. In frame.
Maxime Van de Woestyne was a scion of a distinguished family of artists. His father Gustave Van de Woestyne was an important artist from the first Latem School, which brought Flemish visual arts to an international top level around the turn of the previous century. His brother, the novelist and poet Karel Van de Woestyne, was one of the editors of the authoritative literary magazine Van Nu en Straks, the Flemish answer to the Dutch eighties. Maxime Van de Woestyne became fascinated in his youth by surrealist painting, which had a world-class representative in Belgium in René Magritte. Surrealism strives for a realistic depiction of an unreal world. In addition to dream images and nightmarish scenes, surrealist painters also presented reflections on the relationship between the depicted and real reality.
Gallery price: 800 euros
Signed in pencil 'Maxime Van De Woestijne' and numbered on 50 copies.
On paper with dry stamp 'Original screen Belgium'. In frame.
Maxime Van de Woestyne was a scion of a distinguished family of artists. His father Gustave Van de Woestyne was an important artist from the first Latem School, which brought Flemish visual arts to an international top level around the turn of the previous century. His brother, the novelist and poet Karel Van de Woestyne, was one of the editors of the authoritative literary magazine Van Nu en Straks, the Flemish answer to the Dutch eighties. Maxime Van de Woestyne became fascinated in his youth by surrealist painting, which had a world-class representative in Belgium in René Magritte. Surrealism strives for a realistic depiction of an unreal world. In addition to dream images and nightmarish scenes, surrealist painters also presented reflections on the relationship between the depicted and real reality.
Gallery price: 800 euros
| Condition | |||||||
| Condition | Mint condition | ||||||
| Shipment | |||||||
| Pick up | The work can be picked up on location. As a buyer you must bring your own packaging materials. The location is: Opwijk, Belgium | ||||||
| Shipment | Parcel post | ||||||
| Price | Up to 10 kg.
| ||||||
| Guarantee | |||||||
| Guarantee | By putting the item up for auction, I agree with the Terms of Guarantee as they are applicable at Kunstveiling regarding the accuracy of the description of the item | ||||||
The seller takes full responsibility for this item. Artpeers only provides the platform to facilitate this transaction, which has to be settled directly with the seller. More information .
Belgian