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Metallic varnish lacqued with UVI varnish on aluminium sandwich plate with honeycomb core. Signed, titled and dated with permanent marker on the back of the aluminium plate. 14,5 x 9,5 x 1cm.
E.L. Emotional Landscapes:
Emotional Landscapes. In this series I propose an even greater formal and representational reduction with respect to my previous series of Coded Paintings. It is a step towards a dematerialisation of the work. This Image that we unconsciously re-present configures a series of sensations pre-established by our visual memory. The interesting thing about this is that the spectator himself who contemplates the object is configuring his own representative image of a landscape that is only in his subconscious.
This gestalt game is deliberately provoked in order to question how the semiology of a visual language conditioned by our own limits of representation, often arbitrarily articulated, is constructed. It is a reflection on the ambiguous and indeterminate structure of languages to communicate human thought. A painting that goes beyond its formal limits to expand and dilute itself in its environment and the architecture that surrounds it. The ontological reason for these paintings, called "Nuclei of Emotion" or E.L (Emotional Landscapes), is determined by colour and light, which are the essence of sensory communication and emotional transmission beyond any rational explanation. These objects are framed within the Zen aesthetic, inspired by the hexagrams of the I Ching or Book of Mutations, and are a reference to the Taoist universe and Eastern thought and culture.
About Imanol Marrodán (1964) An interdisciplinary creator and researcher, his work, among other activities, carries out critical work through different events related to art and contemporary thought as part of his personal creative project.The concept of the limit, inspired by the idea of the ancient Roman "limes" cited by Eugenio Trias as a metaphor for a civilised, rationally controlled knowledge, is the starting point for a concept of limit understood not as the end of something but as a device for the "beginning" of growth and evolution. This idea of the search and exploration of the unknown and of personal identity related to natural processes and rhythms is the central theme of Imanol Marrodán's work. The aim is to create an ever wider Atlas of meanings with different meanings. We propose the construction of a metalanguage that encompasses the different stages and experiences lived as mental structures formed metaphorically by Euclidean geometries and at the same time also by structures of fractal and intuitive organic thought. It is the very shaping process of an experience that shares a socio-political habitat in an industrial, materialistic, technological and artificial world, as opposed to a natural environment intimately linked to the laws of the universe, which we hardly know but which we still feel and intuit. He has exhibited in countries such as the United Kingdom, France, Germany, Portugal, Belgium, Korea, Argentina, Chile, Switzerland and the United States. His work has been shown at international contemporary art fairs such as ARCO, VALENCIA ART, ARTE SANTANDER and DFOTO (Spain), ART COLOGNE and KUNST KÖLN (Germany), KIAF (Seoul, Korea), ArteBA (Buenos Aires, Argentina), BALELATINA (Basel, Switzerland)... etc...
Condition
Condition
Mint condition
Shipment
Shipment
Parcel post
Price
Up to 2 kg.
Within Spain
€8.70
Within EU
€13.00
Worldwide
€25.25
Guarantee
Guarantee
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